From richard.horton@sff.net Mon Mar 15 23:41:02 2004 Date: Wed, 10 Dec 2003 19:27:35 -0600 From: Rich Horton Newsgroups: sff.people.richard-horton, sff.discuss.short-fiction Subject: Summary: Strange Horizons, 2003 Summary, Strange Horizons, 2003 Strange Horizons (www.strangehorizons.com) has now been around for more than three years. To my mind, the quality of their fiction continues to improve -- they are a reliable source of strong short SF, probably the second best SF fiction webzine behind Sci Fiction. (Infinite Matrix is another contender but has not published enough new longer short fiction, though plenty of short-shorts, some quite good.) I counted just about 185,000 words of new fiction this year, almost exactly the same count as 2002. There were a total of 59 new stories, and a few reprints. Of the new stories, 12 were part of Jay Lake's linked series of short-shorts collectively called "Rushes". Four more were 1000 words or less, so could reasonably be called "short-shorts". Only one was a novelette, though that story, at 12,000 words, was the longest story SH has ever published. The novelette, Beth Bernobich's "Poison", is a strong story, in the tradition of Ursula Le Guin and Eleanor Arnason, or for that matter SH regular M. C. A. Hogarth, in concerning gender roles among aliens with somewhat unusual sexual physiology. "Poison" is about a pair of tikaki, who can change their sex at will once they reach maturity. The narrator has not yet "ripened", but his/her companion, Yenny, has, and this ability makes Yenny a valuable prostitute. A new client, however, is using Yenny is some way as to make him/her ill, and the story turns on finding out what this client is plotting, which also reveals some of the story behind the tikakis' place in this alien society. Among the short stories several were very fine. My favorite was probably Bill K'Tepi's "Start With Color", an affecting story about a man charged with curing the plague of "dreams turned real" that has greatly harmed the world -- but also led to beauty and perhaps other valuable things. Other favorites: David Moles's "Fetch", a sentimental but effectively so story about a slightly alternate space program, in which we send a chimp trained to speak up in an early capsule; Douglas Lain's "Shopping at the End of the World", a both a wacky working out of a wild idea (a paper shredder with far reaching effects), and a sharp critique of consumerist culture; and Theodora Goss's "Sleeping With Bears", an arch story about a woman marrying a bear. Other stories worth mention: Karina Sumner-Smith's "Drowned Men Can't Have Kids", a very nicely done spooky ghost story about a girl dealing with stress apparently caused by problems with her parents' marriage; Dean Francis Alfar's "L'Aquilone du Estrellas (The Kite of Stars)", a colorful magic realist sort of thing about a young woman who falls in love with an astronomer and determines to become a star to gain his attention; Benjamin Rosenbaum's "The Book of Jashar", a funny take on the Old Testament -- with vampires; Severna Park's "The Island of Varos", about a conquered people who have literal souls; Tobias Seamon's "contemporary Odysseus" story, "The Siren of Ocean Park"; effective humorous stories by Jennifer Pelland ("Snow Day") and Wade Albert White ("See Jack Run: An Intergalactic Primer"), and good work by Tim Pratt, Jay Lake, Rudi Dornemann, Aynjel Kaye, Erika Peterson, Greg van Eekhout, and Heather Shaw.